The story opens in 1897 as the merchant schooner Demeter slips away from a fog-bound Romanian harbor, carrying a mixed cargo bound for England and a crew unaware that their manifest hides a predator. Among the crates and barrels the men stow aboard the hold, they also transport across the sea a pale aristocrat who travels under a human guise. He keeps a woman named Anna confined below decks as a source of blood, and he feeds without remorse. Dr. Clemens, a physician traveling with the ship, notices Anna's fragile condition and begins to tend her; he performs transfusions to replace what she has lost, and his ministrations buy her enough strength to remain conscious and lucid for a time. Clemens believes he can help Anna recover physically and protect her from the man who controls her, while the woman clings to life and to the hope that Clemens's care will matter.

After the Demeter leaves port, the atmosphere aboard changes. The creature first attacks the ship's livestock. One morning the men open a pen to find animals torn open and drained; bodies stain the planks with dark, dried blood. The loss of the cargo alarms the sailors and raises tensions with the captain, a rigid man named Elliot. That evening, the crew begin to find their mates missing or dead, bodies discovered in cramped quarters with precise puncture wounds at the throat and a striking absence of blood. Night after night the killer visits the holds and bunks; blows, shouts, and the wet sound of flesh being bitten echo in the ship's corridors. Panic spreads. Men barricade their cabins and form watch shifts, but none of their weapons--knives, pistols, iron tools--prevent the predator from entering, drawing blood, and escaping into the dark. The killings escalate from theft of the animals to systematic slaughter of the seamen.

At first the survivors assume a human murderer stalks them, but Clemens observes particulars that contradict simple human violence: wounds suggest draining more than stabbing, and the victims' corpses cool in ways that confound explanation. When he confronts Anna about the prisoner she has been made to be, she whispers that the man who keeps her is not like other men; she names no title and tells no origin, but she confirms that the figure moves at night and feeds from living flesh. Clemens increases his care, transfusing blood into her to stave off the deterioration he sees and to keep her lucid enough to testify.

The predator escalates his brutality by turning one of the crewmen into what the sailors call a monster. In the dark, a brawl spills into a narrow passage and a sailor named Olgaren confronts the pale stranger; during the struggle the creature bites Olgaren and leaves him alive but altered. Olgaren's skin grows pallid, his face slackens into an expression that is neither awake nor asleep, and he begins to behave oddly--skulking away from light, lurching toward the weak and feverish. The men do not immediately recognize what has happened, and when Olgaren collapses into seizures they carry him topside to breathe fresh air. Sunlight finds his skin sensitive; when he stumbles into the deck under the noon glare his flesh blistering, Olgaren bursts into flames in a scene that horrifies the crew. The man's body burns with a sudden ferocity, and he dies in agony, his charred remains scattering across the planks. The sailors watch the sun destroy him and at that moment accept that something inhuman walks among them.

Captain Elliot faces a new horror when his own grandson, a boy named Toby whom the captain hopes to keep safe, suffers the same fate. The child falls victim during a confused night; the boy is set upon and drained. Elliot refuses to accept the change; he thinks that a doctor's touch and fresh air might restore the boy. Clemens examines Toby, performs transfusions, and does what he can, but the boy's condition deteriorates. When daylight finds Toby moving with a thirst and an aversion to brightness, Elliot clings to denial and insists on a cure even as the crew recognizes the boy's transformation. Under the sun, Toby's skin reacts as Olgaren's did; exposure causes his altered flesh to ignite. The boy's cries and the captain's screams fill the deck as sunlight consumes him. Elliot cannot save his grandson. Toby dies burned by the sun after the predator's bite turns him into one of the creature's own.

Those deaths, along with the mounting number of murdered sailors, force the remaining crew to make a grim calculation. They realize that they cannot safely arrive at any port while the predator remains aboard, and they decide to sacrifice the ship itself if it will be the means to stop the killer. The seamen agree to a plan: they will steer the Demeter into the rocks, ensuring that the vessel founders and that whatever hunts them will go down with the hull. Some men, trembling, nail shut the lifeboats and prepare the helm to run aground rather than allow the creature to reach civilization and spread. Others prepare for a last stand, arming themselves with tools and improvised spears, intent on keeping the monster contained until the final plunge.

During these preparations Draculan brutality intensifies. He stalks corridors more brazenly, sliding through the darkness to bite anyone whose guard slips. The men mount patrols and spot him moving like a shadow: impossibly swift, unnaturally quiet, his teeth bared and his eyes reflecting light. Clemens, who has been tending Anna in a locked cabin and arguing with Captain Elliot over how to handle the beast, becomes one of the last sober witnesses to both Anna's humanity and the creature's inhuman appetite. The doctor's medical instruments and rational mind lead him to study rather than dismiss the phenomenon; he notes how the transformed victims shun sunlight and display inhuman strength and speed. Clemens begins to prepare a way to subdue the predator without killing Anna, who remains alive but weakened from repeated feedings. She tells him that she believes if she falls under the same curse she will not survive, because the creature does not share tenderness in its transformations.

As the Demeter nears a rocky stretch meant to receive it, the crew enact their final maneuver. They begin to steer the vessel purposely off course toward a jagged shore. Sailors secure ropes and scatter themselves across the deck to hold fast. The predator, sensing the plan, responds with a furious assault meant to prevent the crew from carrying out the wreck. Under a blood-spattered moon he devours men who block his path and pushes the survivors into desperate hand-to-hand engagements. A watchman named Harrick engages the creature with a length of iron pipe, striking it, and the monster snaps at him, tearing the man's throat. Harrick dies with his fingers wrapped around the pipe and his blood smearing the deck. Another sailor named Molloy runs with a lantern into a corridor to warn the men and the creature intercepts him; the vampire bites and drains Molloy in seconds, leaving the lantern to gutter and smoke. Each skirmish delivers a new casualty to the deck. Clemens fights with tools and makeshift weapons as he attempts to keep Anna out of harm's way and to reach the creature.

In the prowling chaos the predator turns more of the men. After an altercation near the bow, the creature bites another sailor whose name the final log does not preserve; that man vanishes into the darkness and later returns altered, attacking his former comrades until sunlight finds him and destroys him. The transformation functions as a tactic: the creature augments his numbers by remaking victims into servants, but the sun proves lethal to those remade when exposed. The survivors learn this lesson in the same brutal moments they discover how to exploit it--when they chuck barrels to block passageways, when they use the midday light to flush a turned man onto the deck and let him fall under the sun. They work quickly, improvising ways to trap and kill the transformed men by luring them into sunlight or pacing the deck so they cannot hide below when the day breaks.

Clemens and Anna move through this turmoil with specific aims. Clemens resolves to subdue the creature rather than to kill him in a way that would risk harming Anna or the remaining crew. Using rope, a broken yardarm, and the ship's rigging, he and Anna together lure the predator into the hold where motion and confusion make its speed a liability. They bait it by leaving blood on a bandage and by making noise in the space, and when the creature lunges Clemens steps into its path with a coil of line. Anna helps by maneuvering on the other side, cutting off escape routes. The creature thrashes and uses strength no human could match to rend ropes and fling men aside, but Clemens coils the rope around a beam and secures it to the bell rope. He jumps back, and Anna slams a crate into the hatchway to delay the monster's exit. In a violent struggle below decks Clemens stabs the creature with a carpenter's awl and uses the ship's oilskins to momentarily blind it. They take blows and suffer bites during the attempt, and Clemens receives several scratches that bleed freely, but their exertions slow the predator.

Once they control him, the men and women who remain take decisive action to see their plan through. The captain orders the crew to push the helm toward the shoals; sailors heave on the wheel and shout to furl sails. As the Demeter bears down on the rocky coast, waves begin to batter the hull. The pilot's prayers and the creak of timbers cannot stop the pounding surf. The predator, now contained and enraged, makes one final desperate attempt to break free, battering at the hatch with a violence that sends splinters across the hold. Clemens and Anna use a set of iron shackles and rope to bind the creature; two sailors, exhaused and bloodied, lug a heavy anchor chain over the monster's shoulders and lash it to a timber. The vampire writhes until its veins bulge, then settles as the straps bite into its skin, and the ship groans as waves collapse against the bow.

Clemens and Anna manage to get themselves away from the hold and onto a small skiff that some of the crew have pulled together. The captain and those able help push the boat into the sea and propel it to shore while the Demeter slams into the rocks with a thunder that the survivors describe later as the sound of an enormous bell breaking. The hull cracks along its seams, timbers splinter, and water rushes into the ship's belly. The tied creature feels the pull and rolls, helpless now as the sea claws at the hull. As the Demeter crashes and founders, the men who remain on deck shout at those in the lifeboat and drive it ashore. The ship breaks apart as the surf takes hold; splinters and cargo break free and spin madly in the swell. The tied vampire goes down with the wreck, bound to a disintegrating mass of wood and rope.

Anna, however, has suffered a grievous consequence of the creature's feedings. Her blood chemistry has changed from repeated feedings and transfusions; she realizes with a dreadful certainty that she will transform like Olgaren and Toby. Clemens, frantic, pleads with her to flee and to come with him to London where he says he will find a way to save her. Anna presses her forehead to his and tells him she knows what fate awaits her once the creature's influence completes its work in her. As dawn breaks on the shore, she asks Clemens to take a small measure of hope with him and to remember her as she was before the ship's horrors. When the sun rises high between sea and sky she says she will not be the instrument of further death. She steps from the skiff onto the beach and walks into the glare. The sunlight touches her skin and she catches fire; her body ignites, burning with a white heat that consumes her in moments. Clemens cannot reach her in time. He watches from the surf as Anna burns into ash and wishes she had survived, and he survives instead to carry the knowledge of what was done aboard the Demeter.

On the shore the survivors tally the dead. Captain Elliot stands amid the wreckage, broken; he learns that his grandson Toby has burned and that the boy's life is gone. Elliot walks the shoreline and finds fragments of the Demeter's crew, some charred by daylight, some mauled in the shadows, and some missing altogether, their fates recorded only by blood and shattered possessions. Clemens, whose hands bear blood and oil and who has been given Anna's last words, carries the heavy burden of what he has learned. He helps to bury the burned bodies and to mark the grave of those who perished in those final hours. The wreckage smolders where the waves have failed to wash it clean. The men who survive will never forget the pallor of the dead and the horrible knowledge of what other shape can take.

Clemens makes his way to London, crossing the ferry and the English countryside with the intent to alert authorities and to stop the creature's spread. In the city he searches for sign of the pale man and for evidence that the horror aboard the Demeter could exist among the populace. Initially he meets indifference and confusion; dockworkers and magistrates dismiss his accounts as the ravings of a man traumatized by the sea. Clemens persists, moving through crowded streets and lodging houses, speaking to anyone who will listen. He studies rumors and watches for patterns of drained bodies and missing blood; he examines city morgues and questions men with knowledge of unusual deaths.

His investigations eventually yield the vision he dreads: in London he sees the same aristocratic figure who haunted the Demeter, but now cloaked in ordinary human guises--tailored coats, a gentleman's hat, the practiced civility that allows him to walk among people without alarming them. Clemens observes the man in a crowded market, hearing him speak softly to vendors, exchanging polite bows and small coins with the ease of a man who believes himself secure among mortals. The creature moves without the ravages that the sea inflicted upon the men who tried to hold him down, and he shows no sign of the bound ferocity that the Demeter witnessed. Clemens recognizes him on sight. He watches as the creature slips into a carriage and disappears into the bank district, adopting the manners and anonymity of London's upper class.

After that sighting Clemens makes a vow he voices privately and then aloud to those willing to hear: he will hunt the creature down and end it. He plans methods and gathers what small knowledge he has about the vampire's weaknesses--sunlight's lethality to those it has turned, the creature's need to feed, and its ability to conceal itself among humans. He vows to track the man through London's neighborhoods, to learn his habits, and to end his ability to kill. The narrative closes with Clemens standing in a foggy London lane, the city's gaslights flickering behind him, and his promise ringing in his head as he moves into a crowd among faces who will never suspect that a monster walks beside them. The pale aristocrat, who went by a dozen names and none at all, continues to live among the living, and the hunt that Clemens begins in the smoke and rain of London sets the stage for a pursuit that the doctor intends to carry out until he either finds a way to kill the creature or dies trying. The final scene lingers on the two figures moving through the same city--one seeking safe anonymity, the other bent on revelation and retribution--leaving the outcome beyond those shores unresolved but certain in Clemens's resolve.

In the ending of The Age of Idiris, Season Six: All Stars/Sober (2025), the main characters confront their past demons and unite to thwart a final threat to Idiris. The season closes with a bittersweet victory: some characters find redemption and peace, while others face sacrifice or exile, leaving the future of Idiris uncertain but hopeful.

Now, let me take you through the ending scene by scene, narrating the events as they unfold:

The final act opens in the shadowed halls of the ancient Citadel of Idiris, where the All Stars have gathered for a last stand against the encroaching darkness unleashed by the rogue faction known as the Sober. The air is thick with tension and the weight of past betrayals. Each character carries visible scars--both physical and emotional--from their long journey.

First, we see Kaelen, the once-reckless warrior, standing at the forefront. His hands tremble slightly as he grips his sword, the blade reflecting the flickering torchlight. His eyes reveal a mixture of determination and regret. Kaelen's internal struggle has been about proving his worth beyond his violent past, and here, he steels himself to lead the charge.

Beside him is Liora, the enigmatic sorceress, whose calm demeanor masks a storm of doubt. She murmurs an incantation, her fingers weaving intricate patterns in the air. The magic she summons is both beautiful and dangerous, illuminating the dark corridor with ethereal light. Liora's arc has been about control and trust, and now she must fully embrace her power to protect her comrades.

As they advance, the group encounters the Sober's leader, Malrik, a figure cloaked in shadows and bitterness. The confrontation is tense; Malrik's voice is cold and accusing, blaming the All Stars for the ruin of Idiris. The dialogue is sharp, revealing the deep ideological rift that has fueled the conflict.

The battle that follows is fierce and chaotic. Kaelen fights with renewed purpose, his strikes precise and fueled by a desire to atone. Liora's spells weave through the fray, shielding allies and striking foes with bursts of light. Other key characters--Jara, the steadfast healer, and Toren, the cunning strategist--play crucial roles, coordinating defenses and tending to the wounded.

In a pivotal moment, Kaelen faces Malrik in single combat. The clash is brutal, echoing through the Citadel's ancient stones. Kaelen's victory comes at a cost; he sustains a grievous wound that forces him to the ground. As he collapses, his expression softens, a silent acceptance of his fate.

Meanwhile, Liora channels a powerful spell to seal the Citadel's gates, preventing further incursions by the Sober. The effort drains her, and she collapses, unconscious but alive. Jara rushes to her side, administering healing herbs and murmuring words of comfort.

The final scenes show the survivors emerging into the dawn light. The Citadel stands battered but unbroken. Kaelen, though gravely injured, is carried by his friends, his eyes closing peacefully as he whispers a final farewell. Liora awakens, her gaze meeting Jara's with a silent promise of renewal.

Toren surveys the horizon, his expression thoughtful. He speaks quietly about rebuilding and the uncertain road ahead. The group disperses, each character heading toward their own path--some seeking redemption, others exile, but all changed irrevocably by the trials they endured.

The season closes on a note of cautious hope, emphasizing themes of sacrifice, unity, and the enduring struggle between light and darkness within Idiris and its people.

There is no available information in the search results about a post-credit scene for the movie titled The Age of Idiris, Season Six: All Stars/Sober produced in 2025. The search results list the movie among 2025 releases but do not provide details on its content, including whether it has a post-credit scene.

Therefore, based on the current data, it cannot be confirmed if The Age of Idiris, Season Six: All Stars/Sober includes a post-credit scene or what it might depict.

The story centers on a squad of Special Forces commandos who are abducted mid-operation by a mysterious spacecraft. Key characters include Kelly (Max Martini), Ravi (Brianna Hildebrand), Rhodie (LaMonica Garrett), Jax (Jaren Mitchell), Reyes (Michael Irby), and Anya (Linda Hamilton). Their interactions focus on survival against a relentless alien race, with tension and cooperation shaping their group dynamics as they face external threats and internal challenges.

The commandos encounter a relentless alien race aboard the mysterious spacecraft that abducted them. These aliens are depicted as hostile and equipped with laser-based weaponry, creating a siege-like environment where the commandos must fight for survival. The alien makeup effects were designed by Todd Masters, emphasizing their menacing and otherworldly appearance.

Anya, played by Linda Hamilton, is a significant character whose presence adds depth to the narrative. While specific plot details about her role are limited, she appears in key scenes and dialogue that influence the commandos' struggle. Her involvement likely includes leadership or mentorship within the group, contributing to the tension and action as they confront the alien threat.

The film features stunts and practical effects-driven action sequences typical of director William Kaufman's style. These include intense firefights with the alien invaders, tactical maneuvers within the confined spacecraft environment, and moments of suspense as the commandos navigate hostile territory. The action pays homage to genre staples like 'Aliens' and 'Predator,' emphasizing survival and combat under pressure.

While detailed plot twists are not fully disclosed, the premise involves the commandos being abducted mid-operation by a mysterious spacecraft, which sets the stage for unexpected developments. The nature of the spacecraft and the aliens' motives likely unfold as the story progresses, revealing surprises about the commandos' predicament and the larger conflict they are drawn into.

The movie titled The Age of Idiris, Season Six: All Stars/Sober (2025) is not listed in the available search results, so there is no direct information on its family-friendliness or content warnings. Therefore, I cannot provide a specific assessment of whether it is suitable for children or sensitive viewers, nor list any potentially objectionable or upsetting scenes without revealing plot details.

If you have access to official ratings or parental guides for this specific title, those would be the best sources for detailed content warnings. Otherwise, for new or less-documented releases, it is advisable to check trusted movie rating organizations (like MPAA or equivalent) or parental review sites once the film is officially released.